19th Century American Art
Documents Project #2


Project Title: George Catlin and "Sioux War Council"

Source: George Catlin, "Sioux War Council," circa 1848, approximately 25 inches high by 32 inches wide, oil paint on canvas, currently in a private collection.

Background: George Catlin, whose mother and grandmother had once been Indian captives, represents the fascination of some 19th Century artists with Native Americans.  Catlin was a self-taught painter and intended his paintings to be documentation of Native American lives and customs.  He painted Native American portraits as well as Native American in their villages, like "Sioux War Council," shown below, or in landscapes.  He traveled extensively through the west, visiting 48 different tribes, including the Mandan Indians of the Dakotas who were nearly wiped out by smallpox soon after Catlin documented their lives.  Catlin created Wild West Shows of his paintings and traveled throughout the east coast of the U.S. and Europe.  Find an excellent online biography of Catlin at this University of Texas web site.

Documents:
"The White Cloud, Head of the Iowas" by George Catlin
"The White Cloud, Head of the Iowas"
Sioux War Council by George Catlin "Prairie Meadows Burning" by George Catlin
"Prairie Meadows Burning"
Click on the picture above for a larger view.

Questions:
  1. What do you think prompted George Catlin to devote his life to documenting Native American culture?
  2. Describe the assembly shown in "Sioux War Council."
  3. Describe Catlin's attitude toward this assembly. 
  4. How important do you imagine accuracy was to Catlin?  Do you think his portraits and depictions of Native American life are accurate or romanticized?
  5. Catlin's collection of paintings, native costumes, and other artifacts were donated to the Smithsonian Institute.  Why would these objects be considered worthy of places in a museum?
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